Meadow II print
I started painting “grass fields” in college while taking a weaving class. In weaving, horizontal weft yarns are interlaced up and over vertical warp yarns creating a continuous grid structure. Though thousands of threads are woven to create cloth, each thread remains as visible as the next. I wanted to apply this same methodology of weaving to painting by building a landscape through layering hundreds of brush strokes, creating textures that mimic rhythms in nature and woven patterns. Over time, painting these fields became a regular practice to explore color, pattern, and texture.
This is a giclée print. Giclée prints are museum grade prints made with archival pigments that can last up to 200 years without fading. This image is printed on archival 290gsm Moab Entrada Rag paper which is a textured fine art paper, made from 100% cotton fiber and is acid and lignin free. Every print is signed on the back.
This print is professionally matted with a soft white museum grade matboard and is ready to frame! Museum grade matboard is archival, made from 100% cotton fiber and is acid and lignin free.
*prints are formatted to fit standard frame sizes, some sizes require slight cropping of the original image, please see all images to view size variations
I started painting “grass fields” in college while taking a weaving class. In weaving, horizontal weft yarns are interlaced up and over vertical warp yarns creating a continuous grid structure. Though thousands of threads are woven to create cloth, each thread remains as visible as the next. I wanted to apply this same methodology of weaving to painting by building a landscape through layering hundreds of brush strokes, creating textures that mimic rhythms in nature and woven patterns. Over time, painting these fields became a regular practice to explore color, pattern, and texture.
This is a giclée print. Giclée prints are museum grade prints made with archival pigments that can last up to 200 years without fading. This image is printed on archival 290gsm Moab Entrada Rag paper which is a textured fine art paper, made from 100% cotton fiber and is acid and lignin free. Every print is signed on the back.
This print is professionally matted with a soft white museum grade matboard and is ready to frame! Museum grade matboard is archival, made from 100% cotton fiber and is acid and lignin free.
*prints are formatted to fit standard frame sizes, some sizes require slight cropping of the original image, please see all images to view size variations
I started painting “grass fields” in college while taking a weaving class. In weaving, horizontal weft yarns are interlaced up and over vertical warp yarns creating a continuous grid structure. Though thousands of threads are woven to create cloth, each thread remains as visible as the next. I wanted to apply this same methodology of weaving to painting by building a landscape through layering hundreds of brush strokes, creating textures that mimic rhythms in nature and woven patterns. Over time, painting these fields became a regular practice to explore color, pattern, and texture.
This is a giclée print. Giclée prints are museum grade prints made with archival pigments that can last up to 200 years without fading. This image is printed on archival 290gsm Moab Entrada Rag paper which is a textured fine art paper, made from 100% cotton fiber and is acid and lignin free. Every print is signed on the back.
This print is professionally matted with a soft white museum grade matboard and is ready to frame! Museum grade matboard is archival, made from 100% cotton fiber and is acid and lignin free.
*prints are formatted to fit standard frame sizes, some sizes require slight cropping of the original image, please see all images to view size variations
